Times Colonist interviews Kirsten Van Ritzen about her acting roles in television movies filmed in Victoria in 2015.
Oceanside85 has a new Darksynth album out Absolution and in here to spread the synth gospel to the masses
The ceramic sculpture of Samantha Dickie conveys both mystery and metaphor. The intriguing textural forms of her multi-component installations invite investigation. What are the structures made from? What do they contain? Why are some surfaces channelled,
With her fifth album release on April 1 and Western Canadian tour dates throughout April, Orit Shimoni’s Bitter is the New Sweet opens up an exciting new chapter in the life of one Canada’s most brilliant and lyrically impactful vocalis...
In the ever-changing world of indie-rock, be it Vancouver or elsewhere, it’s a respectable feat to maintain a working band for ten years…and the Buttless Chaps have been doing just that, with no signs of wearing out or slowing down. Cor...
MaryLou Wakefield, a local Victoria artist, came away with a life-altering experience last summer. It changed her perspective on what she could achieve as an artist— with courage, curiosity and the willingness to take a risk. Here is her story.
Video by Lola Parks keeps levidrome front of mind. Victoria boy's word continues to gain momentum online. Lucky Budd, father of Levi Budd, campaigns to get "levidrome" in the dictionary.
Local historian Glenn Parfitt was determined to create a website chronicling the early days of rock ’n’ roll in Victoria — despite the challenges involved in tracking down material.
Fans of guitar tone have a lot to learn about Bill Johnson. His fourth album, Cold Outside should be the one that has this Vancouver Island native flying high above the radar, finally. Ripe with an abundance of select tracks, Johnson proves...
A story on west coast Canadian blues guitar man, West Coast Comerford. Comerford has played in many blues bands out of Victoria, including the Rockin' Devils, All Them Blues Band and Uncle Wiggly's Hot Shoes Blues Band. The piece was published on Digita