Victoria’s Tequila Mockingbird Orchestra recently played Upstairs Cabaret here in their hometown of Victoria with locals Compassion Gorilla and Carousels opening up. There was a strong sense of community and no shortage of dancing at the ...
The Times Colonist attended a preview of Sin City the Improvised Serial and spoke with several cast members about the exciting Vegas 1961 setting, and the thrill of performing improvised theatre.
Grade 4/5 students attending McKenzie Elementary produce poems and pictures for Swan Creek bridge
Review of geode inspired work by Charine Barber seen at the Sooke Fine Art Show.
Enjoy a variety of art by fabulous local artists in all mediums curated for Creatively United. On display April 15 + 16 at Royal Bay Secondary and Saturday, April 23 from 1 – 5 pm at the Royal BC Museum.
Review of Ensemble Laude's Winter concert, 2014.
ANZA Club - Sat.May.24th
I was in a bit of a funk as I made my way down to the ANZA club, already half-cut and looking to have my shit saved by some good ‘ol rock and roll. And with tonight’s amazing lineup, I was sure to have the ...
This is the Sleep Factory, Trish Shwart’s exhibition at Martin Batchelor Gallery that opened on November 7th, with a persuasive performance by the artist as a marketeer, and continues with a visual smorgasbord of parodies that explore the commodificatio
Yowza! Saturday night was a melting pot of birthdays, friends, and 4 of Vancouver’s finest bands all under one small jam-packed roof. Getting over the ridiculous layout of The Railway takes some time getting used to if you’re not a regu...
Zoubi Arros heads up Zoubi And The Sea, which balances folk, funk, jazz, and pop, along with a healthy dose of sexy during their incredible cover of Queens of the Stone Age’s Make It Wit Chu.
Well, it’s that time of year again: Faceplant Studios will be holding their 14th annual showcase June 6th at the Railway Club. With a thirty band line-up assembled from the community of a rehearsal/recording studio the show is eclectic ...
The ceramic sculpture of Samantha Dickie conveys both mystery and metaphor. The intriguing textural forms of her multi-component installations invite investigation. What are the structures made from? What do they contain? Why are some surfaces channelled,