WISE, Robert Allan Born March 30th 1949, Victoria, B.C. An ideas man, designer and sculptor, Bob died at home on October 22nd, 2010 with wife Valerie and dear friends Tom and Shelley Lietaer at his side. We asked our close friend Jane Wrigh...
Here are some ladies that not only sing, but compose and arrange as well. Angela Verbrugge gives singers like Lorraine Feather a run for their money with her witty lyrics on her originals that area mixed with some clever covers.
This is the Sleep Factory, Trish Shwart’s exhibition at Martin Batchelor Gallery that opened on November 7th, with a persuasive performance by the artist as a marketeer, and continues with a visual smorgasbord of parodies that explore the commodificatio
Yowza! Saturday night was a melting pot of birthdays, friends, and 4 of Vancouver’s finest bands all under one small jam-packed roof. Getting over the ridiculous layout of The Railway takes some time getting used to if you’re not a regu...
Review of “Oscillatio” exhibit by Sarah Cowan and Connie Michele Morey at xChanges gallery.
Wynn Gogol has been involved in enough recording sessions over the years to know what works in a studio setting and what gets in the way of musical momentum.
Review of Ensemble Laude's Winter concert, 2014.
How MISSA afforded an opportunity for a local artist to exhibit her work in New York and the events that flowed from it. Metchosin International Summer School of the Arts (MISSA), local artist MaryLou Wakefield, Master Printmaker Dan Welden, Southampton
Victoria’s Tequila Mockingbird Orchestra recently played Upstairs Cabaret here in their hometown of Victoria with locals Compassion Gorilla and Carousels opening up. There was a strong sense of community and no shortage of dancing at the ...
The Times Colonist attended a preview of Sin City the Improvised Serial and spoke with several cast members about the exciting Vegas 1961 setting, and the thrill of performing improvised theatre.
The ceramic sculpture of Samantha Dickie conveys both mystery and metaphor. The intriguing textural forms of her multi-component installations invite investigation. What are the structures made from? What do they contain? Why are some surfaces channelled,