A Seven Inch Mixdown by Rene Milord:
First up is an Albertan band called MYELIN SHEATHS with a disjointed, noisy, poppy, post-punk EP. It’s kind of sloppy, perhaps better live? Hozac Records 047 (at Pat’s Pub, May 6)
Next up ...
A review of Everybody Left's Season One (2009 - 13) compilation album.
Skeleton Park Arts Festival, in its 18th year, runs June 21-25, 2023
From Feb 26th to Mar 21st Bison BC toured Europe. They hit eleven different countries in twenty-four days and played a show every night. I’ve heard somewhere that Europeans love metal so I’m sure it was a crazy good time, and did great ...
The Manglers and The Engimas at the Bourbon, January 8th
The Sick Sick Sicks, Gnash Rambler, Little Guitar Army at The Railway, January 10th
By Allan MacInnis
Nothing like a good cover tune to make a great live show even better. Case i...
Minto Climbs Olympus by Matt Hagarty
It's any young band's dream to record an album with such a marquee name as Steve Albini's. Recording with the famed sound engineer/pundit responsible for output from Nirvana, Superchunk, The Stooges,...
I’ve always thought that someone should rhyme “Erik Estrada” with “vagina dentata” in a song, and it occurred to me, when I came late and awestruck to the solo output of songwriter and Nomeansno/Hanson Brothers guitarist Tom Holli...
TV station brings together music artists from New York and eastern Ontario
Yvonne was interviewed for the Sept/Oct 2015 issue of YAM magazine, where she discussed her role as Victoria’s Poet Laureate.
Kingston's The Tragically Hip will be presented with the 2021 Humanitarian Award during the 50th annual JUNO Awards broadcast on Sunday, June 6, 2021.
CD Review for Still Blue
Mr. Johnson jumped into view as a nominee for Guitarist of the Year in 2006. This Victoria-based bluesman jammed onstage after the Awards Show and left behind a couple of impressive CDs. This new one is even...
Top-notch performances from all five bands at the Rickshaw Theatre for the final BC round of Wacken Metal Battle 2015 on Friday. The winners of Vancouver’s first four qualifying rounds (Bushwhacker, Unbeheld, Medevil, and Resurgence) performed along wit