Victoria singer-songwriter Vic Horvath hailed from Calgary but settled in BC’s oceanside capital (a move they discuss in the song “Shiney Shotgun”). After a couple of years of performing, touring and popping out the odd single, they finally released
LINDEN SINGERS OF VICTORIA SET TO FLOURISH WITH NEW MUSIC DIRECTOR, EDETTE GAGNE
A visionary leader for this choral gem!
[Victoria, BC, August 15, 2021]
Edette Gagné has been named Music Director of Linden
Singers of Victoria, taking...
We have lots to talk about because The Hits have been one busy band. First off, can you introduce yourself and the band and their instruments. Why no bass?
Alright, well, I am Dusty and I hit stuff really hard and sing a bit, Lou Slips...
Fans of guitar tone have a lot to learn about Bill Johnson. His fourth album, Cold Outside should be the one that has this Vancouver Island native flying high above the radar, finally. Ripe with an abundance of select tracks, Johnson proves...
Ira Hoffecker presents Transitions at Fortune Gallery
Eazy-E, Bone Thugs, Big Tymers, you name it: the bitches-n-money ghetto-rap is slamming the minute I crack the door. Jordie Dammet, bassist for bar-rock goodboys The Hotel Lobbyists (and sideman for country boozer, Shiloh Lindsey), is boot-...
With her fifth album release on April 1 and Western Canadian tour dates throughout April, Orit Shimoni’s Bitter is the New Sweet opens up an exciting new chapter in the life of one Canada’s most brilliant and lyrically impactful vocalis...
Actress/comedian Kirsten Van Ritzen discusses her acting career, passion for improv, and creating Sin City Live Improv Serial in Victoria with partner Ian Ferguson.
Parts 1-5. An account of surfing in the Juan de Fuca (JDF) region on south Vancouver Island. No beaches are named in this book. With photos and contributions from Rivermouth Mike, James Murray, Danny Amato, and Bob Kemp, there is a special focus on the na
This is the Sleep Factory, Trish Shwart’s exhibition at Martin Batchelor Gallery that opened on November 7th, with a persuasive performance by the artist as a marketeer, and continues with a visual smorgasbord of parodies that explore the commodificatio