Two shows, one night.
By: denis maile
I shouldn’t write this review. I didn’t know it was going to happen. I didn’t plan on hitting two shows, I didn’t plan on writing about my night, and I didn’t even plan on getting drunk. ...
Black Wizard
s/t
Vancouver's music scene seems to be traditionally known for two things: drugs and hard rock. Despite the critical pitfalls of these influences, the city has a habit of inexplicably turning out the most palatable and au...
A review of Bat Sabbath with Black Mastiff and Ethereal Tomb, November 26 at The Broom Factory.
I was recently interviewed for the "Do Tell" section of YAM Magazine (Sept/October, Style Issue). For editing purposes, the full interview was cut short, the link provided is the full interview.
Angela Verbrugge: The Night We Couldn’t Say Goodnight (Gut String) A review of the debut album from the Canadian vocalist
Marble Rye CD release party Friday May 8th
w/ The Matinee and Analog Bell Service
The Railway is a decent room to watch a few amazing local bands tear it up. Even with a totally irrational layout that makes it appear packed to the gil...
Corbin Murdoch and the Nautical Miles
Wartime Love Song
Steeped in sweet melancholy and lyrical charm, Wartime Love Song, the second album by Corbin Murdoch and the Nautical Miles, enchants its listeners with an extended-concept love so...
For those unknowing, Bison are Vancouver’s currently-reigning champions of The Riff, trafficking in mercilessly heavy, sludgy, and addictive sonic terror. Think discarded beer cans peppered with shotgun holes, full-size back-patches, pall...
This is the Sleep Factory, Trish Shwart’s exhibition at Martin Batchelor Gallery that opened on November 7th, with a persuasive performance by the artist as a marketeer, and continues with a visual smorgasbord of parodies that explore the commodificatio