Lay it On Me
Self-distributed
Waa-BOOM! With an album title ripped from frontman Ryan Hoben’s muscleman tattoos, indiefolkrocksters Minto punch it open with sludgy dirge, “New Bones” – formerly a chooglin’ alt-country number i...
Bill Johnson has made a fantastic release that we highly recommend.
With her fifth album release on April 1 and Western Canadian tour dates throughout April, Orit Shimoni’s Bitter is the New Sweet opens up an exciting new chapter in the life of one Canada’s most brilliant and lyrically impactful vocalis...
Crop Circle may have taken their name from the controversial 70’s phenomenon, but they have also managed to contribute to a more recent enigma: the earworm. Traditionally, this little beastie takes the form of a trite pop song (think Ms. ...
CD REVIEW
The Bicycles’ Oh No, It’s Love is not the kind of record that warrants a large, wordy review filled with pretentious journalistic nit-picking. The fact of the matter is simple: Oh No, It’s Love is filled to the rim with h...
Redcat Records
Some say country-rock died with Gram Parsons premature passing in 1973, casual fans say it’s when the Eagles sold-out and recorded Hotel California, but almost everyone can agree that just as quickly as it came – it w...
It's a rare occasion when an album captures me with such force on the first listen and keeps me rapt until the closing note, but this one takes the prize. In fact this is one of the best albums i have ever heard. Rob Nicholls and Galen Rigt...
Montreal’s own Eternal Husbands have released their third album French Exit.
Within, the band has once again merged the ambiguous genres of pop, noise and shoegaze, resulting in their best work to date.
French Exit features soothing...
Fans of guitar tone have a lot to learn about Bill Johnson. His fourth album, Cold Outside should be the one that has this Vancouver Island native flying high above the radar, finally. Ripe with an abundance of select tracks, Johnson proves...
BLACK MOUNTAIN
In The Future
Jagjaguwar
When I hear Stephen McBean’s slowly-picked A-minor guitar intro for “Stormy High,” I’m almost tricked into thinking it’s a cover of “Hell’s Bells,” but then the swing-time Black...
Best of 2016: The Garage received a lot of blues CDs this year and all of them were above standard, but ultimately had to be judged for other reasons of personality, believability, skill and versatility, etc. Take a bow Michael Kaeshammer a...