Barbara McCaffrey is a conceptual artist who uses fibre arts to express her ideas and experiences. She skillfully manipulates the materials at hand.
Visit the webpage here: http://www.artopenings.ca/barbara-mccaffrey.html
http://www.artopenings.ca/regan-rasmussen.html
The Beatdown
Walkin' Proud
CD - LP
Stomp Records - STMP099
The Beatdown have become masters of their craft! Their 2010 debut album saw the group carry on the work put down with One Night Band and carried into into garage rock terri...
Homeland is an historic journey that reveals the artists’ pre-war lifestyle in Syria, the beginning of unrest, and finally, the trauma of dislocation. These artworks reflect on personal and cultural identity through the lens of memory and migrations.
Samantha Dickie’s conceptual ceramic sculptures
and
Louisa Elkin’s contemplative oil paintings
together at Fortune Gallery Feb 17-March 24, 2022.
Preview: http://www.artopenings.ca/dickie-elkin.html
Pete Kohut interviewed by Sheila R. Alonzo
Interview with Dope Soda was done in June, 2012 by D'Arcy Briggs
Ska Fest: When and where do you guys meet? When did you decide to form the band?
Dope Soda: Well Dope Soda was a project I have been wanting to do for a v...
Language evolves according to circumstance. Using terms like Indian, aboriginal, native, indigenous or First Nations is full of potential pitfalls. Writers must be careful to use the currently acceptable vocabulary. It’s important to be b...
Alone with Trees, Grant’s solo show at the Gage Gallery,
presents a unique vision of BC’s coastal landscapes. Drawn in by the lush colours and flowing textures, the viewer must interpret the subtext of these surreal environments. Visu...
The ceramic sculpture of Samantha Dickie conveys both mystery and metaphor. The intriguing textural forms of her multi-component installations invite investigation. What are the structures made from? What do they contain? Why are some surfaces channelled,
Ira Hoffecker presents Transitions at Fortune Gallery
Plastic is everywhere, explains Yardley in her introduction to Becoming Plastic. “It’s in the depths of the oceans and at the highest of mountaintops,” she says.