This body of work comes from the artist’s interest in exploring the structure of looking. It questions what it means to look at images in today’s chaotic, consumer-driven visual environment. One strategy employed is to reduce the elements of the paintings to cut through the noise of everyday imagery. Marks are used as building blocks; repeating them to create a weave, net, or field of positive and negative information. This repetitive process creates an image that denies hierarchy (narrative) or inspiration (the grand gesture). It emphasizes labour (process) and touch (the artist’s hand).