Dr Joey Only is in the house
Vancouver’s genuine adventurous punk rock country boy and underdog, our Stompin’ Tom and Hank Williams rolled into one, had to be interviewed. It wasn’t death threats to us really but a message he left on...
Linda McRae has a special place in our hearts here at Roots Music Canada, and not just because she’s such a great person. Notwithstanding her busy schedule of touring, recording and teaching songwriting workshops, she also was one of the very first peop
I was recently interviewed for the "Do Tell" section of YAM Magazine (Sept/October, Style Issue). For editing purposes, the full interview was cut short, the link provided is the full interview.
GWAR – Oderus Urungus Does Not Smoke Crack Well With Others
Oderus Urungus is not the sort of intergalactic barbarian warlord who minces his words. I spoke with the leader of GWAR recently, and between copious puffs on his crack pipe,...
Wreaking havoc on the Vancouver scene for more than a decade, The Darkest of the Hillside Thickets never fail to come up with strange and exhilarating new ways to reach out and clutch their victims. Staying true to their uniquely horrid app...
Indie Rock Hall of Famers, Lowest Of The Low, celebrate new album release October 12 in Kingston with By Divine Right
1. Hi John. First off, can you introduce yourself, your band and dancers?
You can call me John - I play a big Gretsch guitar and do the main vocals - I also do most of the songwriting. The band really began when sCare-oline (upright...
Interview with The Delirians done in June, 2012 by D'Arcy Briggs
Ska Fest: When and where did you guys meet? When did you decide to form the band?
Delirians: Most of us, like many other bands, grew up in the punk rock scene, ...
“We weren’t necessarily going for an animal name,” Bison BC co-guitarist/ co-vocalist James Farwell tells me when I ask about the name Bison. “We’d tossed around these Godawful made up words - ‘what looks good in a good metal fo...
“You shouldn’t start telling a story if you don’t have a story to tell.” From his seat in the lunch room of Vancouver’s Orpheum Theatre, Tuomas Holopainen leans forward and speaks into the digital audio recorder resting on the coffee table in fr