Interview with The Delirians done in June, 2012 by D'Arcy Briggs
Ska Fest: When and where did you guys meet? When did you decide to form the band?
Delirians: Most of us, like many other bands, grew up in the punk rock scene, ...
Grade 4/5 students attending McKenzie Elementary produce poems and pictures for Swan Creek bridge
Live-show extraordinaire act APEX BREAKS are quickly rising up through the ranks with their unique twist of Psychedelic Jungle Funk. The devoted 10-piece are carving out a lasting career for themselves, and kindly took part in an interview to delve a litt
Hush Hush Noise - Band Of The Month
She’s been at it for 35 years, but Toni Blodgett’s love of jazz continues to fuel her band’s unique blend of what she calls “more traditional” music.
What it really means is her group has access to a vast repertoire of jazz tunes and has develo
Interview with Dope Soda was done in June, 2012 by D'Arcy Briggs
Ska Fest: When and where do you guys meet? When did you decide to form the band?
Dope Soda: Well Dope Soda was a project I have been wanting to do for a v...
The Times Colonist attended a preview of Sin City the Improvised Serial and spoke with several cast members about the exciting Vegas 1961 setting, and the thrill of performing improvised theatre.
Illustrator Val Lawton is interviewed by Calgary Public Library regarding her illustration career and the impact of the library
The article talks about how I found my artist, and how letting go really does heal.
There aren’t a lot of modern rock bands running around spouting an ethos of love, harmony and goodwill toward one other. In a market where the gloomy, aggressive or just plain aloof is king, you wouldn't think these kinds of happy cuddly ...
Bruce Dean’s story is one of inspiration and creativity.
After a skiing accident left his knees badly injured he was prescribed a mobility scooter to help him get around, something he personally viewed as “a death sentence.” He did...
This is the Sleep Factory, Trish Shwart’s exhibition at Martin Batchelor Gallery that opened on November 7th, with a persuasive performance by the artist as a marketeer, and continues with a visual smorgasbord of parodies that explore the commodificatio