1964: Beatles' TV appearance sparked cultural revolution
On the evening of the band’s record release party at The Red Room, Factory Worker Media met with Unleash the Archers guitarist Grant Truesdell in the building’s old vault to discuss challenges to songwriting, community-building, and navigating the roi
Reports on Challenge Crisis with Creativity community art project created by Gage Gallery to help people during Covid 19
The Times Colonist attended a preview of Sin City the Improvised Serial and spoke with several cast members about the exciting Vegas 1961 setting, and the thrill of performing improvised theatre.
Join Starlight Pops Choir for their spring concert featuring the music of Aretha Franklin, Stevie Wonder, Marvin Gaye, Earth, Wind & Fire, The Jackson 5, Otis Redding, The Pointer Sisters and more. Also featuring the Starlight Pops Combo.
I’ve always thought that someone should rhyme “Erik Estrada” with “vagina dentata” in a song, and it occurred to me, when I came late and awestruck to the solo output of songwriter and Nomeansno/Hanson Brothers guitarist Tom Holli...
Jo-Anne Silverman at Gage Gallery, 19 Bastion Square
NEW LOCATION - 19 Bastion Square
July 20 - August 8, 2021
http://www.artopenings.ca/joanne-silverman-21.html
Marble Rye CD release party Friday May 8th
w/ The Matinee and Analog Bell Service
The Railway is a decent room to watch a few amazing local bands tear it up. Even with a totally irrational layout that makes it appear packed to the gil...
MaryLou Wakefield, a local Victoria artist, came away with a life-altering experience last summer. It changed her perspective on what she could achieve as an artist— with courage, curiosity and the willingness to take a risk. Here is her story.
A review of Everybody Left's Season One (2009 - 13) compilation album.
Illustrator Val Lawton is interviewed by Calgary Public Library regarding her illustration career and the impact of the library
“You shouldn’t start telling a story if you don’t have a story to tell.” From his seat in the lunch room of Vancouver’s Orpheum Theatre, Tuomas Holopainen leans forward and speaks into the digital audio recorder resting on the coffee table in fr