Two years after their Kingston debut, Comeback Kid returns to headline own show at The Broom Factory.
These gals...crazy. Vancouver to Toronto for a single gig. Fly home. Immediately pack the tour van. Cross the border at night. Drive 15 hours to a poorly attended Monday night show in Denver. Who does that? The Pack A.D., mofo, that's who....
ENGLISH MOTETS
The Gesualdo Six / Owain Park · Hyperion CDA68256
The Gesualdo Six hardly need a review of this their debut CD: within days of its release around Easter it was top of the iTunes classical chart. The CD is a collection of E...
Homeland is an historic journey that reveals the artists’ pre-war lifestyle in Syria, the beginning of unrest, and finally, the trauma of dislocation. These artworks reflect on personal and cultural identity through the lens of memory and migrations.
Derek Miller
The Dirty Looks
Arbor
I try to balance the good and bad in my reviews, even if I'm not into the style. I don't like saying it, but the sophomore album from Ontario's Derek Miller thoroughly sucks. It sounds like a bar band...
We have lots to talk about because The Hits have been one busy band. First off, can you introduce yourself and the band and their instruments. Why no bass?
Alright, well, I am Dusty and I hit stuff really hard and sing a bit, Lou Slips...
Sharon Jones and the Dap-Kings release new record, "Give the People What They Want". The release date was scheduled for the passed summer, but was pushed later due to the diagnoses of Sharon Jones's Stage II pancreatic cancer. After undergoing treatment,
In 2002, Dave Gifford and Stephen Nguyen found themselves in the not uncommon position of being art-school students with no place to live. While many would simply resign themselves to a period of complaisant couch-surfing, Gifford and Nguyen took their ho
Shanique Peart and Shenel Williams, Krista Muir, and Chantal Thompson selected for 2024 artists-in-residence.
“You shouldn’t start telling a story if you don’t have a story to tell.” From his seat in the lunch room of Vancouver’s Orpheum Theatre, Tuomas Holopainen leans forward and speaks into the digital audio recorder resting on the coffee table in fr