On the evening of the band’s record release party at The Red Room, Factory Worker Media met with Unleash the Archers guitarist Grant Truesdell in the building’s old vault to discuss challenges to songwriting, community-building, and navigating the roi
Angela Verbrugge: The Night We Couldn’t Say Goodnight (Gut String) A review of the debut album from the Canadian vocalist
Saturday November 15th 2008
What was supposed to be a review of one show has been altered by restless feet and a desire to see a couple of shows if possible in one night. Canucklehead punk veterans SNFU pinned the audience to the mat at...
Here are some ladies that not only sing, but compose and arrange as well. Angela Verbrugge gives singers like Lorraine Feather a run for their money with her witty lyrics on her originals that area mixed with some clever covers.
Let me preface this review by saying I’ve known Summer since she was barely out of her teens and coming out to sit in or jam at various venues I was playing at around Victoria BC. I’ve watched her career with great interest and she has ...
The Railway Club, May 15th, 2009
The signature choo choo train circled the ceiling of the Railway Club as Sun Wizard took the stage on May 15th. The first of four Vancouver bands, Sun Wizard warmed up the crowd in their third performanc...
Victoria hip-hop artist Orrie Falesau, known also by his stage name Orilla, has died. he was 30 years old. According to a GoFundMe page setup to support his partner and family, Falesau died in his sleep.
Born in the South Pacific island nation of Tuvalu,
Valley brought their ‘Water the Flowers, Pray for a Garden’ tour to The Ale House on November 7
Abstract:
Our society is surrounded by a vast array of messages conveyed more and more with moving images animated to seem so realistic that it becomes difficult to know whether the images being viewed are "alive" or created by the human hand. Animation
This is the Sleep Factory, Trish Shwart’s exhibition at Martin Batchelor Gallery that opened on November 7th, with a persuasive performance by the artist as a marketeer, and continues with a visual smorgasbord of parodies that explore the commodificatio