Minto Climbs Olympus by Matt Hagarty
It's any young band's dream to record an album with such a marquee name as Steve Albini's. Recording with the famed sound engineer/pundit responsible for output from Nirvana, Superchunk, The Stooges,...
Paul McKenzie Interview Part 2
CJ: The band formed in 1992. How was starting a punk project in the high-age of grunge music?
Paul: I could bend your ear for an hour with a question like that. We knew some bands in Seattle that would set...
Victoria musicians stage tribute to Gord Downie. Proceeds benefit Cool Aid Society and BC Cancer Agency. Interview with Lola Parks. Show organized by James Kasper of Mighty Speck Records.
Oceanside85 has a new Darksynth album out Absolution and in here to spread the synth gospel to the masses
There were moments of giddy transcendence a few weeks back when this very magazine held its official Launch Party featuring a host of Vancouver talent, among them a long-standing (but largely overlooked punk band) named Aging Youth Gang, wh...
She’s been at it for 35 years, but Toni Blodgett’s love of jazz continues to fuel her band’s unique blend of what she calls “more traditional” music.
What it really means is her group has access to a vast repertoire of jazz tunes and has develo
Eric joins Jon Williams on the Afternoon Zone to talk about the upcoming 10th Anniversary of the band.
The Times Colonist attended a preview of Sin City the Improvised Serial and spoke with several cast members about the exciting Vegas 1961 setting, and the thrill of performing improvised theatre.
The genre-jumping duo prepares to tour their “most country album” with a stop in Kingston June 2, 2023
How MISSA afforded an opportunity for a local artist to exhibit her work in New York and the events that flowed from it. Metchosin International Summer School of the Arts (MISSA), local artist MaryLou Wakefield, Master Printmaker Dan Welden, Southampton
This is the Sleep Factory, Trish Shwart’s exhibition at Martin Batchelor Gallery that opened on November 7th, with a persuasive performance by the artist as a marketeer, and continues with a visual smorgasbord of parodies that explore the commodificatio