This exuberant artist brings a life-like presence to luminaries he finds interesting. “I wonder who these people are,” he asks, “how they lived their lives and chose to express themselves.”
http://www.artopenings.ca/dale-roberts.html
Barbara McCaffrey is a conceptual artist who uses fibre arts to express her ideas and experiences. She skillfully manipulates the materials at hand.
Visit the webpage here: http://www.artopenings.ca/barbara-mccaffrey.html
Hush Hush Noise - Band Of The Month
A lively Spring tonic awaits visitors to the Gage Gallery in early April 2021.
Margo Cooper and Elizabeth Carefoot present a vibrant series of abstractions titled Eccentric Deliberations. The artwork of this talented duo is eccentric in the best possible
Preview: http://www.artopenings.ca/fired-up-2022.html
Jane Michiel has a five year history with Gage Gallery and is currently a board member. The creativity of her 20 colleagues inspires her, and she enjoys the freedom of being part of a non-profit organization. Focusing on faces for Charisma,...
Homeland is an historic journey that reveals the artists’ pre-war lifestyle in Syria, the beginning of unrest, and finally, the trauma of dislocation. These artworks reflect on personal and cultural identity through the lens of memory and migrations.
On April 1, 2022, Pope Francis apologized to First Nations, Inuit and Métis gathered at the Vatican in Rome.
Retired music teacher played in 1970s rock band Troyka
PREVIEW: http://www.artopenings.ca/bury-the-hatchet.html
Samantha Dickie’s conceptual ceramic sculptures
and
Louisa Elkin’s contemplative oil paintings
together at Fortune Gallery Feb 17-March 24, 2022.
Preview: http://www.artopenings.ca/dickie-elkin.html
http://www.artopenings.ca/regan-rasmussen.html
The ceramic sculpture of Samantha Dickie conveys both mystery and metaphor. The intriguing textural forms of her multi-component installations invite investigation. What are the structures made from? What do they contain? Why are some surfaces channelled,
Plastic is everywhere, explains Yardley in her introduction to Becoming Plastic. “It’s in the depths of the oceans and at the highest of mountaintops,” she says.