Xchanges Gallery Is delighted to host PHOTOTEXTRINUM by Randall McGinnis in its physical space September 4-20, 2020
Randall McGinnis at Xchanges Gallery.
COVID measures are in place. The artist can welcome four visitors to the gallery...
On July 2nd I had the pleasure to interview Old Man Markley on tour with NOFX, & Teenage Bottle Rocket. With their hard work ethics they deserve every opportunity that comes their way. With their high-energy stage presence they give you a t...
These gals...crazy. Vancouver to Toronto for a single gig. Fly home. Immediately pack the tour van. Cross the border at night. Drive 15 hours to a poorly attended Monday night show in Denver. Who does that? The Pack A.D., mofo, that's who....
LINDEN SINGERS OF VICTORIA SET TO FLOURISH WITH NEW MUSIC DIRECTOR, EDETTE GAGNE
A visionary leader for this choral gem!
[Victoria, BC, August 15, 2021]
Edette Gagné has been named Music Director of Linden
Singers of Victoria, taking...
Bruce Dean’s story is one of inspiration and creativity.
After a skiing accident left his knees badly injured he was prescribed a mobility scooter to help him get around, something he personally viewed as “a death sentence.” He did...
How MISSA afforded an opportunity for a local artist to exhibit her work in New York and the events that flowed from it. Metchosin International Summer School of the Arts (MISSA), local artist MaryLou Wakefield, Master Printmaker Dan Welden, Southampton
On a laconic Friday afternoon, Absolute Underground gathered to quiz an icon - Phillip H. Anselmo. He is one of the few stars who have remained 'underground' while courting success with top-sellers Pantera and Down. Through smaller projects such as Superj
Jane Michiel has a five year history with Gage Gallery and is currently a board member. The creativity of her 20 colleagues inspires her, and she enjoys the freedom of being part of a non-profit organization. Focusing on faces for Charisma,...
“You shouldn’t start telling a story if you don’t have a story to tell.” From his seat in the lunch room of Vancouver’s Orpheum Theatre, Tuomas Holopainen leans forward and speaks into the digital audio recorder resting on the coffee table in fr