CD REVIEW
The Bicycles’ Oh No, It’s Love is not the kind of record that warrants a large, wordy review filled with pretentious journalistic nit-picking. The fact of the matter is simple: Oh No, It’s Love is filled to the rim with h...
Exclusive preview on podcast episode 29.
Skeleton Park Arts Festival, in its 18th year, runs June 21-25, 2023
Dr Joey Only is in the house
Vancouver’s genuine adventurous punk rock country boy and underdog, our Stompin’ Tom and Hank Williams rolled into one, had to be interviewed. It wasn’t death threats to us really but a message he left on...
Thursday, November 13 at Honey Lounge
The crystal chandeliers and velvet couches of Honey Lounge are the perfect backdrop for an eclectic band like Vonnegut Dollhouse. Formed two years ago by keyboardist James Ford and vocalist/guitar...
Times Colonist interviews Kirsten Van Ritzen about her acting roles in television movies filmed in Victoria in 2015.
I’ve heard from numerous sources that the dance floor at the Commodore is supported by a layer of tennis balls, but I’ve never had cause to believe it until TV on the Radio unknowingly put this hearsay to the test. During a visceral tak...
Victoria singer-songwriter Vic Horvath hailed from Calgary but settled in BC’s oceanside capital (a move they discuss in the song “Shiney Shotgun”). After a couple of years of performing, touring and popping out the odd single, they finally released
The Bronx/ A Textbook Tragedy/ Battle Snakes @ Richard’s on Richards
April 1st 09
By: Denis Maile
My night began with me trying to scalp my ticket out front of Richard’s. I had only just found out that day that I would be on the g...
Produced by Hawksley Workman, Wind Up/Let Go is a tasty, ten-track synth-pop treat.
I'm a white rocker, born of Abbotsford. All through high school I associated rap music with delinquents farting bass out of Honda Civics and punching people. But time passed, and at SXSW in Austin this past March, I stumble upon the Canadia...
Zoubi Arros heads up Zoubi And The Sea, which balances folk, funk, jazz, and pop, along with a healthy dose of sexy during their incredible cover of Queens of the Stone Age’s Make It Wit Chu.