Nomeansno at the Royale Banquet Hall
April 3rd By Allan MacInnis
Tom Holliston of Nomeansno is a baseball fan, so it was fortunate for him that the band’s recent Japanese tour - only their second in their 30 year history - took plac...
Bill Johnson contributes eight originals to his Still Blue, each one a fine example of a contemporary blues song, not merely a retread of a familiar 12 bar theme, and each sung in his evocative voice. The variety of approaches, from the sne...
Bison members I spoke to agree that the closure of The Cobalt would (or is it will?) be a “huge blow” for the Vancouver music scene. “Bison has played The Cobalt probably about five times,” guitarist/ vocalist James Farwell tells me...
Well, it’s that time of year again: Faceplant Studios will be holding their 14th annual showcase June 6th at the Railway Club. With a thirty band line-up assembled from the community of a rehearsal/recording studio the show is eclectic ...
Review of “Oscillatio” exhibit by Sarah Cowan and Connie Michele Morey at xChanges gallery.
Music Waste 2008
Jesus fucking CHRIST!!! This city is a veritable loot-bag of musical talent, and it becomes more apparent to me every time I get my ass out to see some live music that there's much more going on under my nose than I thou...
Live recording of Kingston band’s 1993 show at CBGB's available for the first time on vinyl and cassette format on record store day, April 20
Lay it On Me
Self-distributed
Waa-BOOM! With an album title ripped from frontman Ryan Hoben’s muscleman tattoos, indiefolkrocksters Minto punch it open with sludgy dirge, “New Bones” – formerly a chooglin’ alt-country number i...
The ceramic sculpture of Samantha Dickie conveys both mystery and metaphor. The intriguing textural forms of her multi-component installations invite investigation. What are the structures made from? What do they contain? Why are some surfaces channelled,