Dr Joey Only is in the house
Vancouver’s genuine adventurous punk rock country boy and underdog, our Stompin’ Tom and Hank Williams rolled into one, had to be interviewed. It wasn’t death threats to us really but a message he left on...
Grade 4/5 students attending McKenzie Elementary produce poems and pictures for Swan Creek bridge
Review of geode inspired work by Charine Barber seen at the Sooke Fine Art Show.
December 19th was officially Pointed Sticks Day in East Vancouver.
The release party for the band’s return album on Northern Electric, Three Lefts Make A Right was a buzz event, rockin’ the house with 2 Shows at the fabulous Rio Thea...
A lively Spring tonic awaits visitors to the Gage Gallery in early April 2021.
Margo Cooper and Elizabeth Carefoot present a vibrant series of abstractions titled Eccentric Deliberations. The artwork of this talented duo is eccentric in the best possible
Actress/comedian Kirsten Van Ritzen discusses her acting career, passion for improv, and creating Sin City Live Improv Serial in Victoria with partner Ian Ferguson.
ANZA Club - Sat.May.24th
I was in a bit of a funk as I made my way down to the ANZA club, already half-cut and looking to have my shit saved by some good ‘ol rock and roll. And with tonight’s amazing lineup, I was sure to have the ...
Rah Rah, Library Voices, Bel Riose & Bash Brothers
The Railway Club
Wednesday, February 18 2009
I’m glad I took the night off work this last Wednesday for a little Bel Riose eardrum shakeup at the Railway. In the process I discov...
Review of No Liars first show on June 7th 2015 from Tyson Edler of YYJ Rocktographers
Paul McKenzie Interview Part 2
CJ: The band formed in 1992. How was starting a punk project in the high-age of grunge music?
Paul: I could bend your ear for an hour with a question like that. We knew some bands in Seattle that would set...
Kingston band and founding member "are parting ways."
This is the Sleep Factory, Trish Shwart’s exhibition at Martin Batchelor Gallery that opened on November 7th, with a persuasive performance by the artist as a marketeer, and continues with a visual smorgasbord of parodies that explore the commodificatio