w/ The Tranzmitors / Master Apes / Los Tycoons
The Biltmore Cabaret
July 11th, 2008
Mmmm! The Biltmore, with its refurbished red booths, red lights, cavernous mystery – once the most depressing waste of space in Mt. Pleasant, it is...
With the Christmas and New Year festivities well and truly over it’s time to shake off the January blues and for our first gig of the year we are once again heading off to The Underworld in Camden. On tonight’s bill there are death metal acts from thr
Known as the heart of Vancouver's vibrant jazz scene, saxophonist and pianist Ross Taggart let a national legacy of impressive musical contributions, along with an unmatched sense of humour. On Sunday, April 15 the Victoria Jazz Orchestra and special gue
Fake Shark Real Zombie at Biltmore Thursday October 16
I missed opener The Green Hour to attend the fundraiser at Pub 340 for the guys in The Hotel Lobbyists. A tragedy of that scope has not hit the Vancouver scene in many years and the ...
Live Review from Toxic Holocaust, Mammoth Grinder, Ramming Speed and Ogroem at the Biltmore Cabaret - 23/01/14
The Spitfires, Battle Snakes & The Jolts @ The Media Club June 19th
By: Denis Maile
On this night of rock n roll The Jolts opened the show because their bassist was busy eating poutine. To make up for this The Jolts had not 1, but 3 dif...
INTERVIEW
Wantmonster are straight off the hard streets of Nelson B.C. Ok, the streets there aren’t very hard, unless you’re afraid of hippies with giant dreads that look like matted down stinky beaver tails, and who isn’t? Wantmon...
ENGLISH MOTETS
The Gesualdo Six / Owain Park · Hyperion CDA68256
The Gesualdo Six hardly need a review of this their debut CD: within days of its release around Easter it was top of the iTunes classical chart. The CD is a collection of E...
The Japandroids are a two piece guitar wailing, drum pounding, singing machine, (do droids get angry when you call them machines?) and ‘Lullaby Death Jams’ is their recipe for a good time. It’s made up of five interestingly good track...
“You shouldn’t start telling a story if you don’t have a story to tell.” From his seat in the lunch room of Vancouver’s Orpheum Theatre, Tuomas Holopainen leans forward and speaks into the digital audio recorder resting on the coffee table in fr
Wynn Gogol has been involved in enough recording sessions over the years to know what works in a studio setting and what gets in the way of musical momentum.
Grand OnStage presents a trailblazing musical response to the Truth & Reconciliation Committee’s 94 Calls To Action, January 23 at Kingston Grand Theatre