Known as the heart of Vancouver's vibrant jazz scene, saxophonist and pianist Ross Taggart let a national legacy of impressive musical contributions, along with an unmatched sense of humour. On Sunday, April 15 the Victoria Jazz Orchestra and special gue
In his basement bachelor suite, Lyle Schultz makes visually striking, confident and entirely personal paintings. He has the determination to make a living at it, operating outside the system. Upcoming for Schultz are shows at Lady Marmalade café, Metchos
A review of Bat Sabbath with Black Mastiff and Ethereal Tomb, November 26 at The Broom Factory.
It’s been six long years since Carcass were last in Western Canada, and in the months since the Decibel Tour was announced, an electric atmosphere of anticipation has grown to a fever pitch for tonight’s show. This is shown from the ear...
Victoria singer-songwriter Vic Horvath hailed from Calgary but settled in BC’s oceanside capital (a move they discuss in the song “Shiney Shotgun”). After a couple of years of performing, touring and popping out the odd single, they finally released
Interview with RMRM done in October, 2012 by D'Arcy Briggs
Ska Fest: So first off, RMRM have become known as one of the region's best ska, reggae, and party bands. What were some of the original ideas behind the group and how would yo...
The annual Kingston Emancipation Weekend Celebrations take place July 27 to August 1, 2023 under the theme "Thriving in Colour".
Yowza! Saturday night was a melting pot of birthdays, friends, and 4 of Vancouver’s finest bands all under one small jam-packed roof. Getting over the ridiculous layout of The Railway takes some time getting used to if you’re not a regu...
Swank sashayed out of Van this summer. How many gigs in how many nights?
6 gigs in 6 sweaty nights! It was like a military operation, but with booze.
Name clubs and the bands that you played with.
The Grateful Fed, Kelowna, The S...
“You shouldn’t start telling a story if you don’t have a story to tell.” From his seat in the lunch room of Vancouver’s Orpheum Theatre, Tuomas Holopainen leans forward and speaks into the digital audio recorder resting on the coffee table in fr