Crop Circle may have taken their name from the controversial 70’s phenomenon, but they have also managed to contribute to a more recent enigma: the earworm. Traditionally, this little beastie takes the form of a trite pop song (think Ms. ...
There were moments of giddy transcendence a few weeks back when this very magazine held its official Launch Party featuring a host of Vancouver talent, among them a long-standing (but largely overlooked punk band) named Aging Youth Gang, wh...
INTERVIEW
Wantmonster are straight off the hard streets of Nelson B.C. Ok, the streets there aren’t very hard, unless you’re afraid of hippies with giant dreads that look like matted down stinky beaver tails, and who isn’t? Wantmon...
Black Wizard
s/t
Vancouver's music scene seems to be traditionally known for two things: drugs and hard rock. Despite the critical pitfalls of these influences, the city has a habit of inexplicably turning out the most palatable and au...
Derek Miller
The Dirty Looks
Arbor
I try to balance the good and bad in my reviews, even if I'm not into the style. I don't like saying it, but the sophomore album from Ontario's Derek Miller thoroughly sucks. It sounds like a bar band...
The Wrecktals – Speaking their mind from time to time.
An interview with bassist Christoph Leon
by Denis Maile of The Skinny
DM: How did you come up with the band name?
CL: As a reminder to never take ourselves too seriously, re...
Indie Rock Hall of Famers, Lowest Of The Low, celebrate new album release October 12 in Kingston with By Divine Right
Two shows, one night.
By: denis maile
I shouldn’t write this review. I didn’t know it was going to happen. I didn’t plan on hitting two shows, I didn’t plan on writing about my night, and I didn’t even plan on getting drunk. ...
Actress/comedian Kirsten Van Ritzen discusses her acting career, passion for improv, and creating Sin City Live Improv Serial in Victoria with partner Ian Ferguson.
From http://artperspective.org Our profile series 'Behind the Canvas' this week with Canadian artist, Michael Abraham. We have been following Michael's work for more than a decade and he continues to evolve, playing with scale, texture and expanding fro
Royal Unicorn Cabaret
April 25th, 2008
A pointless evening, overall; I came for Black Betty – Black Betty did not come! Ana was sick. They were replaced by the comparable, admirable Hezzakya, with huge double-stacks of amps-amps-amps ...