Cheap Trick proves endless talent performing on "Guitar Center Sessions" season finale.
The unrivaled band shows no signs of slowing down as they amaze the crowd with their classic, high-charting song, "Dream Police".
The group recently toured th
She’s been at it for 35 years, but Toni Blodgett’s love of jazz continues to fuel her band’s unique blend of what she calls “more traditional” music.
What it really means is her group has access to a vast repertoire of jazz tunes and has develo
Known as the heart of Vancouver's vibrant jazz scene, saxophonist and pianist Ross Taggart let a national legacy of impressive musical contributions, along with an unmatched sense of humour. On Sunday, April 15 the Victoria Jazz Orchestra and special gue
Review of No Liars first show on June 7th 2015 from Tyson Edler of YYJ Rocktographers
Thee Manipulators
The morning after I first saw local 5 piece garage rock band Thee
Manipulators I woke up with two maracas in my bed and a lot more pins
on my jacket. Strangely, I had acquired a pin of an intoxicated/hungry looking fe...
CD Review for Still Blue
Mr. Johnson jumped into view as a nominee for Guitarist of the Year in 2006. This Victoria-based bluesman jammed onstage after the Awards Show and left behind a couple of impressive CDs. This new one is even...
On the evening of the band’s record release party at The Red Room, Factory Worker Media met with Unleash the Archers guitarist Grant Truesdell in the building’s old vault to discuss challenges to songwriting, community-building, and navigating the roi
We have lots to talk about because The Hits have been one busy band. First off, can you introduce yourself and the band and their instruments. Why no bass?
Alright, well, I am Dusty and I hit stuff really hard and sing a bit, Lou Slips...
Eric joins Jon Williams on the Afternoon Zone to talk about the upcoming 10th Anniversary of the band.
Launch Pad is pleased to introduce our 2017 - 2018 "A Kingdom for a Stage" Season
This is the Sleep Factory, Trish Shwart’s exhibition at Martin Batchelor Gallery that opened on November 7th, with a persuasive performance by the artist as a marketeer, and continues with a visual smorgasbord of parodies that explore the commodificatio