Local historian Glenn Parfitt was determined to create a website chronicling the early days of rock ’n’ roll in Victoria — despite the challenges involved in tracking down material.
In the ever-changing world of indie-rock, be it Vancouver or elsewhere, it’s a respectable feat to maintain a working band for ten years…and the Buttless Chaps have been doing just that, with no signs of wearing out or slowing down. Cor...
1964: Beatles' TV appearance sparked cultural revolution
Yvonne was interviewed for the Sept/Oct 2015 issue of YAM magazine, where she discussed her role as Victoria’s Poet Laureate.
BIOGRAPHICAL INFO
A pro boxer will tell you that success in the ring hinges on the
belief in your own abilities. Belief which endures a pounding heart or
a weakened knee. Belief in oneself even after being knocked down to
the canvas o...
With her fifth album release on April 1 and Western Canadian tour dates throughout April, Orit Shimoni’s Bitter is the New Sweet opens up an exciting new chapter in the life of one Canada’s most brilliant and lyrically impactful vocalis...
Fans of guitar tone have a lot to learn about Bill Johnson. His fourth album, Cold Outside should be the one that has this Vancouver Island native flying high above the radar, finally. Ripe with an abundance of select tracks, Johnson proves...
Hush Hush Noise - Band Of The Month
Victoria singer-songwriter Vic Horvath hailed from Calgary but settled in BC’s oceanside capital (a move they discuss in the song “Shiney Shotgun”). After a couple of years of performing, touring and popping out the odd single, they finally released
Royal City Music Project co-founder Glenn Parfitt wants valuable cultural material preserved
Eazy-E, Bone Thugs, Big Tymers, you name it: the bitches-n-money ghetto-rap is slamming the minute I crack the door. Jordie Dammet, bassist for bar-rock goodboys The Hotel Lobbyists (and sideman for country boozer, Shiloh Lindsey), is boot-...
Remembering the Summer of Love
The ceramic sculpture of Samantha Dickie conveys both mystery and metaphor. The intriguing textural forms of her multi-component installations invite investigation. What are the structures made from? What do they contain? Why are some surfaces channelled,