Yowza! Saturday night was a melting pot of birthdays, friends, and 4 of Vancouver’s finest bands all under one small jam-packed roof. Getting over the ridiculous layout of The Railway takes some time getting used to if you’re not a regu...
Victoria's Maureen Washington lays it all on the line in her new album, which remembers her husband
Illustrator Val Lawton is interviewed by Calgary Public Library regarding her illustration career and the impact of the library
Review of Ensemble Laude's Winter concert, 2014.
Over a pitcher of Molson Canadian at the Princeton Pub, while a startlingly able roots-rock ensemble hosts the open stage night behind our table, we ask Bison’s vocalist-guitarist James Farwell how he feels about his band’s recent signi...
Bill Johnson contributes eight originals to his Still Blue, each one a fine example of a contemporary blues song, not merely a retread of a familiar 12 bar theme, and each sung in his evocative voice. The variety of approaches, from the sne...
If you’re from Kingston (or anywhere in Ontario, really) and you’re a music fan (or even if you aren’t), chances are you have heard of the two local musicians who will be featured in tomorrow night’s international telethon in suppor...
Sharon Jones and the Dap-Kings release new record, "Give the People What They Want". The release date was scheduled for the passed summer, but was pushed later due to the diagnoses of Sharon Jones's Stage II pancreatic cancer. After undergoing treatment,
Produced by Hawksley Workman, Wind Up/Let Go is a tasty, ten-track synth-pop treat.
Music Waste 2008
Jesus fucking CHRIST!!! This city is a veritable loot-bag of musical talent, and it becomes more apparent to me every time I get my ass out to see some live music that there's much more going on under my nose than I thou...
Interview with The Delirians done in June, 2012 by D'Arcy Briggs
Ska Fest: When and where did you guys meet? When did you decide to form the band?
Delirians: Most of us, like many other bands, grew up in the punk rock scene, ...
“You shouldn’t start telling a story if you don’t have a story to tell.” From his seat in the lunch room of Vancouver’s Orpheum Theatre, Tuomas Holopainen leans forward and speaks into the digital audio recorder resting on the coffee table in fr