Oceanside85 has a new Darksynth album out Absolution and in here to spread the synth gospel to the masses
“Fucking Amazing,” says drummer Joshua Wells about Black Mountain’s current North American tour. “This is the best tour I’ve ever been on. It’s been unbelievable at times! We’ve played a few places we’ve never been before…...
Jo-Anne Silverman at Gage Gallery, 19 Bastion Square
NEW LOCATION - 19 Bastion Square
July 20 - August 8, 2021
http://www.artopenings.ca/joanne-silverman-21.html
Bruce Dean’s story is one of inspiration and creativity.
After a skiing accident left his knees badly injured he was prescribed a mobility scooter to help him get around, something he personally viewed as “a death sentence.” He did...
Wynn Gogol has been involved in enough recording sessions over the years to know what works in a studio setting and what gets in the way of musical momentum.
Martina Edmondson presents
“Loss” at the Gage Gallery
On April 1, 2022, Pope Francis apologized to First Nations, Inuit and Métis gathered at the Vatican in Rome.
There aren’t a lot of modern rock bands running around spouting an ethos of love, harmony and goodwill toward one other. In a market where the gloomy, aggressive or just plain aloof is king, you wouldn't think these kinds of happy cuddly ...
Jason Flower’s fantastical journey in music has taken him to some faraway places.
Poland, India, Italy, Spain, Portugal, Switzerland. All the while, Flower kept tabs on music being produced at home and abroad, which resulted in the creation of Suprem
Reports on Challenge Crisis with Creativity community art project created by Gage Gallery to help people during Covid 19
Thee Manipulators
The morning after I first saw local 5 piece garage rock band Thee
Manipulators I woke up with two maracas in my bed and a lot more pins
on my jacket. Strangely, I had acquired a pin of an intoxicated/hungry looking fe...
Ira Hoffecker presents Transitions at Fortune Gallery
This is the Sleep Factory, Trish Shwart’s exhibition at Martin Batchelor Gallery that opened on November 7th, with a persuasive performance by the artist as a marketeer, and continues with a visual smorgasbord of parodies that explore the commodificatio