Redcat Records
Some say country-rock died with Gram Parsons premature passing in 1973, casual fans say it’s when the Eagles sold-out and recorded Hotel California, but almost everyone can agree that just as quickly as it came – it w...
A review of Bat Sabbath with Black Mastiff and Ethereal Tomb, November 26 at The Broom Factory.
Linda McRae has a special place in our hearts here at Roots Music Canada, and not just because she’s such a great person. Notwithstanding her busy schedule of touring, recording and teaching songwriting workshops, she also was one of the very first peop
The Bronx/ A Textbook Tragedy/ Battle Snakes @ Richard’s on Richards
April 1st 09
By: Denis Maile
My night began with me trying to scalp my ticket out front of Richard’s. I had only just found out that day that I would be on the g...
Oceanside85 has a new Darksynth album out Absolution and in here to spread the synth gospel to the masses
Top-notch performances from all five bands at the Rickshaw Theatre for the final BC round of Wacken Metal Battle 2015 on Friday. The winners of Vancouver’s first four qualifying rounds (Bushwhacker, Unbeheld, Medevil, and Resurgence) performed along wit
Grade 4/5 students attending McKenzie Elementary produce poems and pictures for Swan Creek bridge
Illustrator Val Lawton is interviewed by Calgary Public Library regarding her illustration career and the impact of the library
Royal Unicorn Cabaret
April 25th, 2008
A pointless evening, overall; I came for Black Betty – Black Betty did not come! Ana was sick. They were replaced by the comparable, admirable Hezzakya, with huge double-stacks of amps-amps-amps ...
Napanee native recognized for exceptional contributions to Canada and humanity.
THE BLACK HALOS
We Are Not Alone
Acetate
God bless Billy Hopeless & the Halos. They’ve earned their entry into that category that bands like Motörhead, AC/DC, & The Ramones (the Holy Trinity of Rock) fit into – you always know wh...
“You shouldn’t start telling a story if you don’t have a story to tell.” From his seat in the lunch room of Vancouver’s Orpheum Theatre, Tuomas Holopainen leans forward and speaks into the digital audio recorder resting on the coffee table in fr