I’ve always thought that someone should rhyme “Erik Estrada” with “vagina dentata” in a song, and it occurred to me, when I came late and awestruck to the solo output of songwriter and Nomeansno/Hanson Brothers guitarist Tom Holli...
There were moments of giddy transcendence a few weeks back when this very magazine held its official Launch Party featuring a host of Vancouver talent, among them a long-standing (but largely overlooked punk band) named Aging Youth Gang, wh...
1. Hi John. First off, can you introduce yourself, your band and dancers?
You can call me John - I play a big Gretsch guitar and do the main vocals - I also do most of the songwriting. The band really began when sCare-oline (upright...
Joshua Watts at the Victoria Arts Council Sept 9 - Oct 30.
Review:
http://www.artopenings.ca/joshua-watts.html
Paul McKenzie Interview Part 2
CJ: The band formed in 1992. How was starting a punk project in the high-age of grunge music?
Paul: I could bend your ear for an hour with a question like that. We knew some bands in Seattle that would set...
Wynn Gogol has been involved in enough recording sessions over the years to know what works in a studio setting and what gets in the way of musical momentum.
Pete Kohut interviewed by Sheila R. Alonzo
Preview:
http://www.artopenings.ca/kaiser--faunt.html
For any of you fiends who've been dwelling inside rocket-proof domes until recently, the China Creeps -who are Neil on bass, Baxter on guitar, Matt on vocals and Dave on drums - are one of the leading (of what is becoming a tradition of) gr...
On the evening of the band’s record release party at The Red Room, Factory Worker Media met with Unleash the Archers guitarist Grant Truesdell in the building’s old vault to discuss challenges to songwriting, community-building, and navigating the roi
Illustrator Val Lawton is interviewed by Calgary Public Library regarding her illustration career and the impact of the library
This is the Sleep Factory, Trish Shwart’s exhibition at Martin Batchelor Gallery that opened on November 7th, with a persuasive performance by the artist as a marketeer, and continues with a visual smorgasbord of parodies that explore the commodificatio