Let me preface this review by saying I’ve known Summer since she was barely out of her teens and coming out to sit in or jam at various venues I was playing at around Victoria BC. I’ve watched her career with great interest and she has ...
'A must-have for anyone looking for a good time.
You're gonna shake your rump on the stompiest sounds
around! Lots of styles, well done, raw sound... Will
find a place within the collection (and hearth) of
people supporting self-produced bands. The ar
Indie Rock Hall of Famers, Lowest Of The Low, celebrate new album release October 12 in Kingston with By Divine Right
Angela Verbrugge: The Night We Couldn’t Say Goodnight (Gut String) A review of the debut album from the Canadian vocalist
Bill Johnson contributes eight originals to his Still Blue, each one a fine example of a contemporary blues song, not merely a retread of a familiar 12 bar theme, and each sung in his evocative voice. The variety of approaches, from the sne...
Produced by Hawksley Workman, Wind Up/Let Go is a tasty, ten-track synth-pop treat.
BLACK MOUNTAIN
In The Future
Jagjaguwar
When I hear Stephen McBean’s slowly-picked A-minor guitar intro for “Stormy High,” I’m almost tricked into thinking it’s a cover of “Hell’s Bells,” but then the swing-time Black...
Redcat Records
Some say country-rock died with Gram Parsons premature passing in 1973, casual fans say it’s when the Eagles sold-out and recorded Hotel California, but almost everyone can agree that just as quickly as it came – it w...
Derek Miller
The Dirty Looks
Arbor
I try to balance the good and bad in my reviews, even if I'm not into the style. I don't like saying it, but the sophomore album from Ontario's Derek Miller thoroughly sucks. It sounds like a bar band...