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Toast Of The Town at The Wise Hall
May 20th 2009
Tonight The Wise Hall looks like something out of an Elvis Presley movie: the young crowd in fancy dress appropriate to 50’s dancehall goers, as the best youth talent Vancouve...
The Bronx/ A Textbook Tragedy/ Battle Snakes @ Richard’s on Richards
April 1st 09
By: Denis Maile
My night began with me trying to scalp my ticket out front of Richard’s. I had only just found out that day that I would be on the g...
The Stolen Organ Family Band
Horse Treats (Indie)
It pays to have an open mind in this business of writing about music and putting it to press, especi...
Here are some ladies that not only sing, but compose and arrange as well. Angela Verbrugge gives singers like Lorraine Feather a run for their money with her witty lyrics on her originals that area mixed with some clever covers.
She’s been at it for 35 years, but Toni Blodgett’s love of jazz continues to fuel her band’s unique blend of what she calls “more traditional” music.
What it really means is her group has access to a vast repertoire of jazz tunes and has develo
Bill Johnson contributes eight originals to his Still Blue, each one a fine example of a contemporary blues song, not merely a retread of a familiar 12 bar theme, and each sung in his evocative voice. The variety of approaches, from the sne...
Royal City Music Project co-founder Glenn Parfitt wants valuable cultural material preserved
Review of No Liars first show on June 7th 2015 from Tyson Edler of YYJ Rocktographers
With the Christmas and New Year festivities well and truly over it’s time to shake off the January blues and for our first gig of the year we are once again heading off to The Underworld in Camden. On tonight’s bill there are death metal acts from thr
Enjoy a variety of art by fabulous local artists in all mediums curated for Creatively United. On display April 15 + 16 at Royal Bay Secondary and Saturday, April 23 from 1 – 5 pm at the Royal BC Museum.
This is the Sleep Factory, Trish Shwart’s exhibition at Martin Batchelor Gallery that opened on November 7th, with a persuasive performance by the artist as a marketeer, and continues with a visual smorgasbord of parodies that explore the commodificatio