A lively Spring tonic awaits visitors to the Gage Gallery in early April 2021.
Margo Cooper and Elizabeth Carefoot present a vibrant series of abstractions titled Eccentric Deliberations. The artwork of this talented duo is eccentric in the best possible
On April 1, 2022, Pope Francis apologized to First Nations, Inuit and Métis gathered at the Vatican in Rome.
Chrystal Phan is a story teller. The tales she tells in her debut solo exhibition are monumental and multi-hued. They feature stories she’s heard from family and friends, embellished by her own imagination. All her paintings document some aspect of the
B.C. Healthcare Heroes: Their Stories and Portraits
One Week Only at the Gage Gallery (Feb. 15-20)
Twenty portraits and twenty stories. The exhibition “B.C.’s Healthcare Heroes” showcases healthcare workers’ stories and portraits in British
PREVIEW: http://www.artopenings.ca/bury-the-hatchet.html
Jane Michiel has a five year history with Gage Gallery and is currently a board member. The creativity of her 20 colleagues inspires her, and she enjoys the freedom of being part of a non-profit organization. Focusing on faces for Charisma,...
Gillian Redwood continues her experimental dance with universal energies in The Triumph of Light. This new series of expansive acrylic paintings illuminate Xchanges Gallery April 3-18. Zoom Artist Talk and Tour of the Exhibit:
Saturday, April 10th at 3:3
Samantha Dickie’s conceptual ceramic sculptures
and
Louisa Elkin’s contemplative oil paintings
together at Fortune Gallery Feb 17-March 24, 2022.
Preview: http://www.artopenings.ca/dickie-elkin.html
http://www.artopenings.ca/haren-vakil.html
Guests at the Farquhar Auditorium are in for a special experience on September 18. Tanya Tagaq, Inuk throat-singer, composer, actor, author and activist, opens the venue’s fall season. Tagaq performs qiqsaaqtuq, with the Victoria Symphony, and sivuniti
Preview: http://www.artopenings.ca/fired-up-2022.html
Homeland is an historic journey that reveals the artists’ pre-war lifestyle in Syria, the beginning of unrest, and finally, the trauma of dislocation. These artworks reflect on personal and cultural identity through the lens of memory and migrations.