Cambridge has been prominent in the Vancouver punk scene since late 2005. Tour is nothing new to them; this is their second cross-Canada run. The first one went quite well up until a breakdown in Brandon, Manitoba caused them to miss some s...
Marble Rye CD release party Friday May 8th
w/ The Matinee and Analog Bell Service
The Railway is a decent room to watch a few amazing local bands tear it up. Even with a totally irrational layout that makes it appear packed to the gil...
Daily Colonist - Take Fours in Liverpool
Grand OnStage presents a trailblazing musical response to the Truth & Reconciliation Committee’s 94 Calls To Action, January 23 at Kingston Grand Theatre
October 27th 2009, the Rickshaw
After braving the absurd line-up of punks with little choice but to chain smoke furiously in an attempt to keep warm, I finally made it inside the Rickshaw Theatre---after an hour and a half. I guess...
A review of Everybody Left's Season One (2009 - 13) compilation album.
Ira Hoffecker presents Transitions at Fortune Gallery
Richards on Richards, July 2
As someone far more familiar with the Modern Lovers than Jonathan Richman’s solo output, I had little idea what to anticipate from his show. All I know is that it took place on my birthday, and Mr. Richman ...
Interview with Vulvatron, Blothar, and Pustulus Maximus in Vancouver for GWAR: Eternal tour.
Fans of guitar tone have a lot to learn about Bill Johnson. His fourth album, Cold Outside should be the one that has this Vancouver Island native flying high above the radar, finally. Ripe with an abundance of select tracks, Johnson proves...
Royal Unicorn Cabaret
April 25th, 2008
A pointless evening, overall; I came for Black Betty – Black Betty did not come! Ana was sick. They were replaced by the comparable, admirable Hezzakya, with huge double-stacks of amps-amps-amps ...
'A must-have for anyone looking for a good time.
You're gonna shake your rump on the stompiest sounds
around! Lots of styles, well done, raw sound... Will
find a place within the collection (and hearth) of
people supporting self-produced bands. The ar