Indie Rock Hall of Famers, Lowest Of The Low, celebrate new album release October 12 in Kingston with By Divine Right
Redcat Records
Some say country-rock died with Gram Parsons premature passing in 1973, casual fans say it’s when the Eagles sold-out and recorded Hotel California, but almost everyone can agree that just as quickly as it came – it w...
The Red Hot Lovers had their cd release party and last show ever on the same night. Talk about rock stars. I would be worried about doing that based on the fact that you might end up with a box of cds in your closet. Hopefully this doesn’...
CD REVIEW
The Bicycles’ Oh No, It’s Love is not the kind of record that warrants a large, wordy review filled with pretentious journalistic nit-picking. The fact of the matter is simple: Oh No, It’s Love is filled to the rim with h...
Lay it On Me
Self-distributed
Waa-BOOM! With an album title ripped from frontman Ryan Hoben’s muscleman tattoos, indiefolkrocksters Minto punch it open with sludgy dirge, “New Bones” – formerly a chooglin’ alt-country number i...
Cracker
Sunrise in the Land of Milk and Honey
429 Records
Since the early 1990s, and most famously with 1993’s platinum selling Kerosene Hat, Cracker has been providing an interesting take on contemporary alternative country (think ...
Cadence Weapon
Afterparty Babies
Big Dada
4/5
Canada doesn't produce a whole lot of hip-hop in general, let alone the sterile mall haven of Edmonton. As such, the sophomore album from Rollie Pemberton (aka Cadence Weapon) is going to ...
Angela Verbrugge: The Night We Couldn’t Say Goodnight (Gut String) A review of the debut album from the Canadian vocalist
A Seven Inch Mixdown by Rene Milord:
First up is an Albertan band called MYELIN SHEATHS with a disjointed, noisy, poppy, post-punk EP. It’s kind of sloppy, perhaps better live? Hozac Records 047 (at Pat’s Pub, May 6)
Next up ...
'A must-have for anyone looking for a good time.
You're gonna shake your rump on the stompiest sounds
around! Lots of styles, well done, raw sound... Will
find a place within the collection (and hearth) of
people supporting self-produced bands. The ar