Ahead of their performance at Howe Island Rockin' the Rock, we asked members of The Wilderness to name their favourite Kingston music festivals.
Enjoy a variety of art by fabulous local artists in all mediums curated for Creatively United. On display April 15 + 16 at Royal Bay Secondary and Saturday, April 23 from 1 – 5 pm at the Royal BC Museum.
Lucky Bar owner Dylan Pitcher was on the phone from inside his Yates Street nightclub Tuesday, chatting while he rapidly ticked the final items off his “maybe one day” list of renovations.
Replace baseboards? Check. Install new oak tabletops? Check
The venue shift for the Subhumans May 15th gig - from the Anza to the Ukrainian Hall (805 E. Pender) - returns the band to the scene of the famed 1979 Rock Against Prisons benefit, which also included Tunnel Canary, AKA, the female-fronted ...
Fri Jun 20th, 2008
I played an acoustic show with Rich last summer at Hoko’s on an invitation from Ryan of Collapsing Opposites. Rich was touring on his bicycle from his hometown of Halifax to raise money for the Childhood Cancer Founda...
Zoubi Arros heads up Zoubi And The Sea, which balances folk, funk, jazz, and pop, along with a healthy dose of sexy during their incredible cover of Queens of the Stone Age’s Make It Wit Chu.
Kobo Town, Status Non Status and Kington's Sadaf Amini among artists to perform for festival's 19th year.
Gillian Redwood continues her experimental dance with universal energies in The Triumph of Light. This new series of expansive acrylic paintings illuminate Xchanges Gallery April 3-18. Zoom Artist Talk and Tour of the Exhibit:
Saturday, April 10th at 3:3
Cadence Weapon
Afterparty Babies
Big Dada
4/5
Canada doesn't produce a whole lot of hip-hop in general, let alone the sterile mall haven of Edmonton. As such, the sophomore album from Rollie Pemberton (aka Cadence Weapon) is going to ...
Exclusive preview on podcast episode 29.
This is the Sleep Factory, Trish Shwart’s exhibition at Martin Batchelor Gallery that opened on November 7th, with a persuasive performance by the artist as a marketeer, and continues with a visual smorgasbord of parodies that explore the commodificatio