The Toronto-based, Bengali-Bajan duo have been holding down Canada’s underground DIY music scene for decades.
The Railway Club, May 15th, 2009
The signature choo choo train circled the ceiling of the Railway Club as Sun Wizard took the stage on May 15th. The first of four Vancouver bands, Sun Wizard warmed up the crowd in their third performanc...
Nervous Fellas with Deadcats and Swank
June 20th, The Rickshaw Theatre
By Allan MacInnis
I remember witnessing a leather-jacketed rocker viciously take to pummelling a much smaller, dreadlocked kid at a Reverend Horton Heat show a few...
Saturday November 15th 2008
What was supposed to be a review of one show has been altered by restless feet and a desire to see a couple of shows if possible in one night. Canucklehead punk veterans SNFU pinned the audience to the mat at...
Guests at the Farquhar Auditorium are in for a special experience on September 18. Tanya Tagaq, Inuk throat-singer, composer, actor, author and activist, opens the venue’s fall season. Tagaq performs qiqsaaqtuq, with the Victoria Symphony, and sivuniti
Joey Chaos and The Ghosts have released their new single, “Fear.” The first in a series of recordings to be released in the coming months, the song is gritty and compelling. A mixture of 90s rock n’ roll and 80s new wave, their brand ...
The Sweatshop, June 22nd
I walked into the dimly-lit Sweatshop to catch the tail end of System Shit’s wonderfully sloppy set. Who would have thought that a punk gig would start at 7pm? Fear of Tomorrow hit the stage and began to sonica...
Teenage Kicks are kicking up a storm once again
Kingston's The Tragically Hip will be presented with the 2021 Humanitarian Award during the 50th annual JUNO Awards broadcast on Sunday, June 6, 2021.
Over a pitcher of Molson Canadian at the Princeton Pub, while a startlingly able roots-rock ensemble hosts the open stage night behind our table, we ask Bison’s vocalist-guitarist James Farwell how he feels about his band’s recent signi...
“You shouldn’t start telling a story if you don’t have a story to tell.” From his seat in the lunch room of Vancouver’s Orpheum Theatre, Tuomas Holopainen leans forward and speaks into the digital audio recorder resting on the coffee table in fr