Fri Jun 20th, 2008
I played an acoustic show with Rich last summer at Hoko’s on an invitation from Ryan of Collapsing Opposites. Rich was touring on his bicycle from his hometown of Halifax to raise money for the Childhood Cancer Founda...
A Seven Inch Mixdown by Rene Milord:
First up is an Albertan band called MYELIN SHEATHS with a disjointed, noisy, poppy, post-punk EP. It’s kind of sloppy, perhaps better live? Hozac Records 047 (at Pat’s Pub, May 6)
Next up ...
Kingston's The Tragically Hip will be presented with the 2021 Humanitarian Award during the 50th annual JUNO Awards broadcast on Sunday, June 6, 2021.
The Spitfires, Battle Snakes & The Jolts @ The Media Club June 19th
By: Denis Maile
On this night of rock n roll The Jolts opened the show because their bassist was busy eating poutine. To make up for this The Jolts had not 1, but 3 dif...
Martin Springett's The Gardening Club is cosmic Canadiana at its best, and his story is a CanCon prog rock version of the Searching For Sugar Man saga
Well, it’s that time of year again: Faceplant Studios will be holding their 14th annual showcase June 6th at the Railway Club. With a thirty band line-up assembled from the community of a rehearsal/recording studio the show is eclectic ...
Pub 340 - June 5th, 2008
MUSIC WASTE 2008:
The B-Lines / Dead Ghosts / Get Well Bomb / The TVees
Pub 340 - June 5th, 2008
Dave Bertrand
For the first time in many moons, I really made the effort to make it out on time for the openi...
Review of Ensemble Laude's Winter concert, 2014.
Zoubi Arros heads up Zoubi And The Sea, which balances folk, funk, jazz, and pop, along with a healthy dose of sexy during their incredible cover of Queens of the Stone Age’s Make It Wit Chu.
Nomeansno at the Royale Banquet Hall
April 3rd By Allan MacInnis
Tom Holliston of Nomeansno is a baseball fan, so it was fortunate for him that the band’s recent Japanese tour - only their second in their 30 year history - took plac...
“You shouldn’t start telling a story if you don’t have a story to tell.” From his seat in the lunch room of Vancouver’s Orpheum Theatre, Tuomas Holopainen leans forward and speaks into the digital audio recorder resting on the coffee table in fr
Black Wizard
s/t
Vancouver's music scene seems to be traditionally known for two things: drugs and hard rock. Despite the critical pitfalls of these influences, the city has a habit of inexplicably turning out the most palatable and au...