The Beatdown
Walkin' Proud
CD - LP
Stomp Records - STMP099
The Beatdown have become masters of their craft! Their 2010 debut album saw the group carry on the work put down with One Night Band and carried into into garage rock terri...
Martin Springett's The Gardening Club is cosmic Canadiana at its best, and his story is a CanCon prog rock version of the Searching For Sugar Man saga
A review of Everybody Left's Season One (2009 - 13) compilation album.
Black Wizard
s/t
Vancouver's music scene seems to be traditionally known for two things: drugs and hard rock. Despite the critical pitfalls of these influences, the city has a habit of inexplicably turning out the most palatable and au...
Fans of guitar tone have a lot to learn about Bill Johnson. His fourth album, Cold Outside should be the one that has this Vancouver Island native flying high above the radar, finally. Ripe with an abundance of select tracks, Johnson proves...
Cracker
Sunrise in the Land of Milk and Honey
429 Records
Since the early 1990s, and most famously with 1993’s platinum selling Kerosene Hat, Cracker has been providing an interesting take on contemporary alternative country (think ...
Derek Miller
The Dirty Looks
Arbor
I try to balance the good and bad in my reviews, even if I'm not into the style. I don't like saying it, but the sophomore album from Ontario's Derek Miller thoroughly sucks. It sounds like a bar band...
Montreal’s own Eternal Husbands have released their third album French Exit.
Within, the band has once again merged the ambiguous genres of pop, noise and shoegaze, resulting in their best work to date.
French Exit features soothing...
Angela Verbrugge: The Night We Couldn’t Say Goodnight (Gut String) A review of the debut album from the Canadian vocalist
Bill Johnson contributes eight originals to his Still Blue, each one a fine example of a contemporary blues song, not merely a retread of a familiar 12 bar theme, and each sung in his evocative voice. The variety of approaches, from the sne...