Review of geode inspired work by Charine Barber seen at the Sooke Fine Art Show.
The Manglers and The Engimas at the Bourbon, January 8th
The Sick Sick Sicks, Gnash Rambler, Little Guitar Army at The Railway, January 10th
By Allan MacInnis
Nothing like a good cover tune to make a great live show even better. Case i...
A review of Bat Sabbath with Black Mastiff and Ethereal Tomb, November 26 at The Broom Factory.
Victoria’s Tequila Mockingbird Orchestra recently played Upstairs Cabaret here in their hometown of Victoria with locals Compassion Gorilla and Carousels opening up. There was a strong sense of community and no shortage of dancing at the ...
Bluegrass fans were treated to a lively and fun evening Friday night, Nov. 4, at Char's Landing.
Bluegrass Fever tore through an eclectic repertoire, consisting of traditional American tunes like Sweet Sally Brown and Fly Around My Prett...
Zoubi Arros heads up Zoubi And The Sea, which balances folk, funk, jazz, and pop, along with a healthy dose of sexy during their incredible cover of Queens of the Stone Age’s Make It Wit Chu.
Six Degrees of Separation: A New Generation of Canadian Artists
Curated by Noah Becker
Claire Oliver Gallery
513 West 26th Street
New York, NY 10001
October 14 through November 13, 2010
Over the course of the last decade, the glob...
The Times Colonist attended a preview of Sin City the Improvised Serial and spoke with several cast members about the exciting Vegas 1961 setting, and the thrill of performing improvised theatre.
The ceramic sculpture of Samantha Dickie conveys both mystery and metaphor. The intriguing textural forms of her multi-component installations invite investigation. What are the structures made from? What do they contain? Why are some surfaces channelled,
ANZA Club - Sat.May.24th
I was in a bit of a funk as I made my way down to the ANZA club, already half-cut and looking to have my shit saved by some good ‘ol rock and roll. And with tonight’s amazing lineup, I was sure to have the ...
This is the Sleep Factory, Trish Shwart’s exhibition at Martin Batchelor Gallery that opened on November 7th, with a persuasive performance by the artist as a marketeer, and continues with a visual smorgasbord of parodies that explore the commodificatio