Grade 4/5 students attending McKenzie Elementary produce poems and pictures for Swan Creek bridge
The Railway Club, May 15th, 2009
The signature choo choo train circled the ceiling of the Railway Club as Sun Wizard took the stage on May 15th. The first of four Vancouver bands, Sun Wizard warmed up the crowd in their third performanc...
Review of Ensemble Laude's Winter concert, 2014.
The Times Colonist attended a preview of Sin City the Improvised Serial and spoke with several cast members about the exciting Vegas 1961 setting, and the thrill of performing improvised theatre.
The Glim Project / Incura / Stand Down / Hezzakya
Stand Down C.D. Release Party
The Penthouse, Fri. May 9th
Edward Dinsley
I hate being the reviewer who turns up late to a show and all but misses the opening act. Unfortunately, I was...
White Lung/Crystal Antlers/Fucked Up @ Richard’s on Richards September 7th 2008
The sparse crowd was bewitched by the androgynous shrieking of White Lung’s Mish. As our ears would testify, there may have been no sound check and we we...
Pub 340 - June 5th, 2008
MUSIC WASTE 2008:
The B-Lines / Dead Ghosts / Get Well Bomb / The TVees
Pub 340 - June 5th, 2008
Dave Bertrand
For the first time in many moons, I really made the effort to make it out on time for the openi...
Saturday November 15th 2008
What was supposed to be a review of one show has been altered by restless feet and a desire to see a couple of shows if possible in one night. Canucklehead punk veterans SNFU pinned the audience to the mat at...
Six Degrees of Separation: A New Generation of Canadian Artists
Curated by Noah Becker
Claire Oliver Gallery
513 West 26th Street
New York, NY 10001
October 14 through November 13, 2010
Over the course of the last decade, the glob...
Perhaps more so than any other artist of his generation, Beck is a master of mutation, reinventing himself with each tour and album. Recent Beck tours have featured lavish, gimmicky stage shows, including life-size marionettes and kitchen t...
This is the Sleep Factory, Trish Shwart’s exhibition at Martin Batchelor Gallery that opened on November 7th, with a persuasive performance by the artist as a marketeer, and continues with a visual smorgasbord of parodies that explore the commodificatio