Victoria locals Jon and Roy have released a new album entitled Let It Go, which is a subtle departure from their previous and wildly successful album Homes. I spoke with Roy Vizer (drums/percussion) about the new album, the road, and what life at home in
Critical comments by various curators and interviewers of artist Brandy Saturley
Glorywhore is a great name, and when playing with HookerPop, it's awesome. In the first week of the New Year, I went to the Princeton to check out Glorywhore. What I got was a petite Suicide Girl, Maiwan, with her incredible scratchy growl ...
5 questions for the JUNO-winning act ahead of their Slush Puppie Place performance
"I remember one of the last times he saw me, he said, 'Please make sure everybody hears this music.'" Promise kept.
From Feb 26th to Mar 21st Bison BC toured Europe. They hit eleven different countries in twenty-four days and played a show every night. I’ve heard somewhere that Europeans love metal so I’m sure it was a crazy good time, and did great ...
I was recently interviewed for the "Do Tell" section of YAM Magazine (Sept/October, Style Issue). For editing purposes, the full interview was cut short, the link provided is the full interview.
There were moments of giddy transcendence a few weeks back when this very magazine held its official Launch Party featuring a host of Vancouver talent, among them a long-standing (but largely overlooked punk band) named Aging Youth Gang, wh...
Wynn Gogol has been involved in enough recording sessions over the years to know what works in a studio setting and what gets in the way of musical momentum.
“Fucking Amazing,” says drummer Joshua Wells about Black Mountain’s current North American tour. “This is the best tour I’ve ever been on. It’s been unbelievable at times! We’ve played a few places we’ve never been before…...
The genre-jumping duo prepares to tour their “most country album” with a stop in Kingston June 2, 2023
“You shouldn’t start telling a story if you don’t have a story to tell.” From his seat in the lunch room of Vancouver’s Orpheum Theatre, Tuomas Holopainen leans forward and speaks into the digital audio recorder resting on the coffee table in fr