Eric joins Jon Williams on the Afternoon Zone to talk about the upcoming 10th Anniversary of the band.
Merchandise sales are essential for touring artists, and a new program will give them a bigger slice of the pie.
“We weren’t necessarily going for an animal name,” Bison BC co-guitarist/ co-vocalist James Farwell tells me when I ask about the name Bison. “We’d tossed around these Godawful made up words - ‘what looks good in a good metal fo...
Glorywhore is a great name, and when playing with HookerPop, it's awesome. In the first week of the New Year, I went to the Princeton to check out Glorywhore. What I got was a petite Suicide Girl, Maiwan, with her incredible scratchy growl ...
Linda McRae has a special place in our hearts here at Roots Music Canada, and not just because she’s such a great person. Notwithstanding her busy schedule of touring, recording and teaching songwriting workshops, she also was one of the very first peop
The Wrecktals – Speaking their mind from time to time.
An interview with bassist Christoph Leon
by Denis Maile of The Skinny
DM: How did you come up with the band name?
CL: As a reminder to never take ourselves too seriously, re...
I was recently interviewed for the "Do Tell" section of YAM Magazine (Sept/October, Style Issue). For editing purposes, the full interview was cut short, the link provided is the full interview.
INTERVIEW
Wantmonster are straight off the hard streets of Nelson B.C. Ok, the streets there aren’t very hard, unless you’re afraid of hippies with giant dreads that look like matted down stinky beaver tails, and who isn’t? Wantmon...
Times Colonist interviews Kirsten Van Ritzen about her acting roles in television movies filmed in Victoria in 2015.
Over a pitcher of Molson Canadian at the Princeton Pub, while a startlingly able roots-rock ensemble hosts the open stage night behind our table, we ask Bison’s vocalist-guitarist James Farwell how he feels about his band’s recent signi...
“You shouldn’t start telling a story if you don’t have a story to tell.” From his seat in the lunch room of Vancouver’s Orpheum Theatre, Tuomas Holopainen leans forward and speaks into the digital audio recorder resting on the coffee table in fr