It's a rare occasion when an album captures me with such force on the first listen and keeps me rapt until the closing note, but this one takes the prize. In fact this is one of the best albums i have ever heard. Rob Nicholls and Galen Rigt...
Bill Johnson contributes eight originals to his Still Blue, each one a fine example of a contemporary blues song, not merely a retread of a familiar 12 bar theme, and each sung in his evocative voice. The variety of approaches, from the sne...
Crop Circle may have taken their name from the controversial 70’s phenomenon, but they have also managed to contribute to a more recent enigma: the earworm. Traditionally, this little beastie takes the form of a trite pop song (think Ms. ...
The Stolen Organ Family Band
Horse Treats (Indie)
It pays to have an open mind in this business of writing about music and putting it to press, especi...
Angela Verbrugge: The Night We Couldn’t Say Goodnight (Gut String) A review of the debut album from the Canadian vocalist
Aztec Releases The Best Indie Rock Album Of The Year With Stitches
CD REVIEW
The Bicycles’ Oh No, It’s Love is not the kind of record that warrants a large, wordy review filled with pretentious journalistic nit-picking. The fact of the matter is simple: Oh No, It’s Love is filled to the rim with h...
Derek Miller
The Dirty Looks
Arbor
I try to balance the good and bad in my reviews, even if I'm not into the style. I don't like saying it, but the sophomore album from Ontario's Derek Miller thoroughly sucks. It sounds like a bar band...
THE BLACK HALOS
We Are Not Alone
Acetate
God bless Billy Hopeless & the Halos. They’ve earned their entry into that category that bands like Motörhead, AC/DC, & The Ramones (the Holy Trinity of Rock) fit into – you always know wh...
Produced by Hawksley Workman, Wind Up/Let Go is a tasty, ten-track synth-pop treat.