Actress/comedian Kirsten Van Ritzen discusses her acting career, passion for improv, and creating Sin City Live Improv Serial in Victoria with partner Ian Ferguson.
Preview:
http://www.artopenings.ca/kaiser--faunt.html
Gillian Redwood continues her experimental dance with universal energies in The Triumph of Light. This new series of expansive acrylic paintings illuminate Xchanges Gallery April 3-18. Zoom Artist Talk and Tour of the Exhibit:
Saturday, April 10th at 3:3
“What Emerges” by Joanna Pettit.
Solo show at Gage Gallery Arts Collective
September 29 - October 18, 2020
http://www.artopenings.ca/joanna-pettit.html
Interview with RMRM done in October, 2012 by D'Arcy Briggs
Ska Fest: So first off, RMRM have become known as one of the region's best ska, reggae, and party bands. What were some of the original ideas behind the group and how would yo...
Oceanside85 has a new Darksynth album out Absolution and in here to spread the synth gospel to the masses
Bruce Dean’s story is one of inspiration and creativity.
After a skiing accident left his knees badly injured he was prescribed a mobility scooter to help him get around, something he personally viewed as “a death sentence.” He did...
Avis Rasmussen’s fascinating life as a visual artist comes into focus in The View From Here. The Victoria Arts Council (VAC) has collected over 100 artworks that chronicle her incredible journey, spanning over 60 years. The retrospective begins with an
A lively Spring tonic awaits visitors to the Gage Gallery in early April 2021.
Margo Cooper and Elizabeth Carefoot present a vibrant series of abstractions titled Eccentric Deliberations. The artwork of this talented duo is eccentric in the best possible
“We weren’t necessarily going for an animal name,” Bison BC co-guitarist/ co-vocalist James Farwell tells me when I ask about the name Bison. “We’d tossed around these Godawful made up words - ‘what looks good in a good metal fo...
http://www.artopenings.ca/haren-vakil.html
“You shouldn’t start telling a story if you don’t have a story to tell.” From his seat in the lunch room of Vancouver’s Orpheum Theatre, Tuomas Holopainen leans forward and speaks into the digital audio recorder resting on the coffee table in fr