On a laconic Friday afternoon, Absolute Underground gathered to quiz an icon - Phillip H. Anselmo. He is one of the few stars who have remained 'underground' while courting success with top-sellers Pantera and Down. Through smaller projects such as Superj
Camille Miller
Somewhere Near the Truth
Independent
Camille Miller’s voice is the centerpiece of this recording. A finely honed instrument that's passionate, soulful, and downright riveting, without being overbearing. Camille's song...
As I Lay Dying / Misery Signals / August Burns Red / Evergreen Terrace
Croatian Cultural Centre, Tuesday April 29th
Until this impeccably brutal show, I believed the Croatian Cultural Centre was to be avoided at all costs, but the na...
A lively Spring tonic awaits visitors to the Gage Gallery in early April 2021.
Margo Cooper and Elizabeth Carefoot present a vibrant series of abstractions titled Eccentric Deliberations. The artwork of this talented duo is eccentric in the best possible
Kingston Live podcast episode 59
Royal Unicorn Cabaret
April 25th, 2008
A pointless evening, overall; I came for Black Betty – Black Betty did not come! Ana was sick. They were replaced by the comparable, admirable Hezzakya, with huge double-stacks of amps-amps-amps ...
To understand the resurgent popularity of thrash metal among a new generation of fans one need look no further than Brazilian thrash stalwarts Sepultura.
For those unknowing, Bison are Vancouver’s currently-reigning champions of The Riff, trafficking in mercilessly heavy, sludgy, and addictive sonic terror. Think discarded beer cans peppered with shotgun holes, full-size back-patches, pall...
http://www.artopenings.ca/yahgulanaas.html
Summary:
Over the past two decades, his artworks have toured the world in solo shows, and been collected by major international museums and galleries.
Remembering the Summer of Love
Focus by Brad NugentBrad Nugent
Derek Miller
The Dirty Looks
Arbor
I try to balance the good and bad in my reviews, even if I'm not into the style. I don't like saying it, but the sophomore album from Ontario's Derek Miller thoroughly sucks. It sounds like a bar band...