1964: Beatles' TV appearance sparked cultural revolution
Oceanside85 has a new Darksynth album out Absolution and in here to spread the synth gospel to the masses
Jerry Bryant, a blues musician who had a knack for opening doors into the world of music for generations of local students, has died at age 98. The singer and jazz pianist, who was born in Kansas City on April Fool’s Day in 1923, died Aug. 19.
Joshua Watts at the Victoria Arts Council Sept 9 - Oct 30.
Review:
http://www.artopenings.ca/joshua-watts.html
Parts 1-5. An account of surfing in the Juan de Fuca (JDF) region on south Vancouver Island. No beaches are named in this book. With photos and contributions from Rivermouth Mike, James Murray, Danny Amato, and Bob Kemp, there is a special focus on the na
http://www.artopenings.ca/karen-kaiser.html
Artist in Attendance:
April 20, 22, 30 and May 4 from 11:00 - 2:00
April 25 and May 9 from 12:00 - 4:00
Wonderful whimsy abounds in Karen Kaiser’s NEW WORKS. Using loose flowing brushwo...
Preview:
http://www.artopenings.ca/laundry.html
Fans of guitar tone have a lot to learn about Bill Johnson. His fourth album, Cold Outside should be the one that has this Vancouver Island native flying high above the radar, finally. Ripe with an abundance of select tracks, Johnson proves...
Eazy-E, Bone Thugs, Big Tymers, you name it: the bitches-n-money ghetto-rap is slamming the minute I crack the door. Jordie Dammet, bassist for bar-rock goodboys The Hotel Lobbyists (and sideman for country boozer, Shiloh Lindsey), is boot-...
Homeland is an historic journey that reveals the artists’ pre-war lifestyle in Syria, the beginning of unrest, and finally, the trauma of dislocation. These artworks reflect on personal and cultural identity through the lens of memory and migrations.
Alone with Trees, Grant’s solo show at the Gage Gallery,
presents a unique vision of BC’s coastal landscapes. Drawn in by the lush colours and flowing textures, the viewer must interpret the subtext of these surreal environments. Visu...
The ceramic sculpture of Samantha Dickie conveys both mystery and metaphor. The intriguing textural forms of her multi-component installations invite investigation. What are the structures made from? What do they contain? Why are some surfaces channelled,