This is the Sleep Factory, Trish Shwart’s exhibition at Martin Batchelor Gallery that opened on November 7th, with a persuasive performance by the artist as a marketeer, and continues with a visual smorgasbord of parodies that explore the commodificatio
CD REVIEW
The Bicycles’ Oh No, It’s Love is not the kind of record that warrants a large, wordy review filled with pretentious journalistic nit-picking. The fact of the matter is simple: Oh No, It’s Love is filled to the rim with h...
A time capsule of early nineties Hip.
BLACK MOUNTAIN
In The Future
Jagjaguwar
When I hear Stephen McBean’s slowly-picked A-minor guitar intro for “Stormy High,” I’m almost tricked into thinking it’s a cover of “Hell’s Bells,” but then the swing-time Black...
The Pack AD / Cadaver Dogs / The TVees / Valerie Graham
ANZA Club
June 20th, 2008
Dave Bertrand
So we swagger in with our free stamps and I'm feelin' good – old friends in the house, old friends at the bar, fist of beer; I enjoy the...
April 10th, 2009
Cannibal Corpse/The Faceless/Neuraxis/Obscura
Croatian Cultural Center
By Marcell Fraser
Easter Weekend: there could be no more appropriate time to witness a death metal show such as this, and the more than solid bill...
Wynn Gogol has been involved in enough recording sessions over the years to know what works in a studio setting and what gets in the way of musical momentum.
Times Colonist interviews Kirsten Van Ritzen about her acting roles in television movies filmed in Victoria in 2015.
Live-show extraordinaire act APEX BREAKS are quickly rising up through the ranks with their unique twist of Psychedelic Jungle Funk. The devoted 10-piece are carving out a lasting career for themselves, and kindly took part in an interview to delve a litt
Merchandise sales are essential for touring artists, and a new program will give them a bigger slice of the pie.