White Lung/Abe Vigoda/Vivian Girls
Biltmore Cabaret
April 29th 2009
One unassuming day last summer, I went to the Astoria to see a girl band that was on a label I really love – In The Red. They were called the Vivian Girls, and they ...
We are excited to share that for a month or so our team have been secretly working on something pretty fantastic – and it’s now ready to share with you! Say hello to Sunset’s new Interactive Virtual Stage system, a game changer for local speakers, t
Linda McRae has a special place in our hearts here at Roots Music Canada, and not just because she’s such a great person. Notwithstanding her busy schedule of touring, recording and teaching songwriting workshops, she also was one of the very first peop
B.C. Healthcare Heroes: Their Stories and Portraits
One Week Only at the Gage Gallery (Feb. 15-20)
Twenty portraits and twenty stories. The exhibition “B.C.’s Healthcare Heroes” showcases healthcare workers’ stories and portraits in British
There were moments of giddy transcendence a few weeks back when this very magazine held its official Launch Party featuring a host of Vancouver talent, among them a long-standing (but largely overlooked punk band) named Aging Youth Gang, wh...
After 30 years, The Mahones founder and front man releases first-ever solo offering.
On the evening of the band’s record release party at The Red Room, Factory Worker Media met with Unleash the Archers guitarist Grant Truesdell in the building’s old vault to discuss challenges to songwriting, community-building, and navigating the roi
Wynn Gogol has been involved in enough recording sessions over the years to know what works in a studio setting and what gets in the way of musical momentum.
For any of you fiends who've been dwelling inside rocket-proof domes until recently, the China Creeps -who are Neil on bass, Baxter on guitar, Matt on vocals and Dave on drums - are one of the leading (of what is becoming a tradition of) gr...
This is the Sleep Factory, Trish Shwart’s exhibition at Martin Batchelor Gallery that opened on November 7th, with a persuasive performance by the artist as a marketeer, and continues with a visual smorgasbord of parodies that explore the commodificatio