Royal Unicorn Cabaret
April 25th, 2008
A pointless evening, overall; I came for Black Betty – Black Betty did not come! Ana was sick. They were replaced by the comparable, admirable Hezzakya, with huge double-stacks of amps-amps-amps ...
Homeland is an historic journey that reveals the artists’ pre-war lifestyle in Syria, the beginning of unrest, and finally, the trauma of dislocation. These artworks reflect on personal and cultural identity through the lens of memory and migrations.
Paul McKenzie Interview Part 2
CJ: The band formed in 1992. How was starting a punk project in the high-age of grunge music?
Paul: I could bend your ear for an hour with a question like that. We knew some bands in Seattle that would set...
Dick's On Dicks, Wed.June.18th
With the 2008 Vancouver International Jazz Fest getting under way, the illustrious Commodore Ballroom is pretty well taken for a month or so solid at this time every year. As such, I was not so much surpris...
I'm a white rocker, born of Abbotsford. All through high school I associated rap music with delinquents farting bass out of Honda Civics and punching people. But time passed, and at SXSW in Austin this past March, I stumble upon the Canadia...
Zoubi Arros heads up Zoubi And The Sea, which balances folk, funk, jazz, and pop, along with a healthy dose of sexy during their incredible cover of Queens of the Stone Age’s Make It Wit Chu.
Glorywhore is a great name, and when playing with HookerPop, it's awesome. In the first week of the New Year, I went to the Princeton to check out Glorywhore. What I got was a petite Suicide Girl, Maiwan, with her incredible scratchy growl ...
I entered Pat's Pub on Friday March 12th in the year of our lord 2010 to experience Motorama for the first time. There were three bands in the evening and Motorama opened. When I say opened, I mean OPENED. This power trio of punk dug int...
The Art Gallery of Greater Victoria welcomes Nuu-chah-nulth artists to Family Sunday; a buoyant community day with hands-on activities for learning about art, place and home.
In 2002, Dave Gifford and Stephen Nguyen found themselves in the not uncommon position of being art-school students with no place to live. While many would simply resign themselves to a period of complaisant couch-surfing, Gifford and Nguyen took their ho