Nomeansno at the Royale Banquet Hall
April 3rd By Allan MacInnis
Tom Holliston of Nomeansno is a baseball fan, so it was fortunate for him that the band’s recent Japanese tour - only their second in their 30 year history - took plac...
White Lung/Abe Vigoda/Vivian Girls
Biltmore Cabaret
April 29th 2009
One unassuming day last summer, I went to the Astoria to see a girl band that was on a label I really love – In The Red. They were called the Vivian Girls, and they ...
Review of geode inspired work by Charine Barber seen at the Sooke Fine Art Show.
Two years after their Kingston debut, Comeback Kid returns to headline own show at The Broom Factory.
Dear Kim
I personally wanted to thank you and the troupe for such a fine fine evening on Saturday. Grace and I have had nothing but rave reviews about everything including how much everyone really enjoyed the dancing. The snake routine in the library was
Royal Unicorn Cabaret
April 25th, 2008
A pointless evening, overall; I came for Black Betty – Black Betty did not come! Ana was sick. They were replaced by the comparable, admirable Hezzakya, with huge double-stacks of amps-amps-amps ...
Yowza! Saturday night was a melting pot of birthdays, friends, and 4 of Vancouver’s finest bands all under one small jam-packed roof. Getting over the ridiculous layout of The Railway takes some time getting used to if you’re not a regu...
JUNO Award-winning band, Kobo Town makes a return to Kingston
Samantha Dickie presents
A Moment in Time
September 10 - October 31, 2021
Victoria Arts Council Gallery, 1800 Store Street,
Victoria. BC. V8T 4R4
Hours: Wednesday - Sunday, 12:00-5:00
Artist Talk: Sunday, October 17 @ 3PM, VAC Gall...
A review of Bat Sabbath with Black Mastiff and Ethereal Tomb, November 26 at The Broom Factory.
The Cobalt
Feb 29th, 2008
If Vancouver were a jungle and we were all chimps, Todd Serious and Chris Rebel would have their own separate little bands. Chris’ pack would be more violent and smaller, and would conduct raids into Todd’s...
This is the Sleep Factory, Trish Shwart’s exhibition at Martin Batchelor Gallery that opened on November 7th, with a persuasive performance by the artist as a marketeer, and continues with a visual smorgasbord of parodies that explore the commodificatio